ME

Hi, I'm Sara and I live vicariously through fictional characters.

somewhat haram blog ft. cats

ASK

Wallahi Bro
ACcioloki

littlebluboxx:

silentauroriamthereal:

nofreedomlove:

image

image

image

imageimage

image

image

image

Source

"Image Credit: Carol Rossetti

When Brazilian graphic designer Carol Rossetti began posting colorful illustrations of women and their stories to Facebook, she had no idea how popular they would become. 

Thousands of shares throughout the world later, the appeal of Rosetti’s work is clear. Much like the street art phenomenon Stop Telling Women To Smile, Rossetti’s empowering images are the kind you want to post on every street corner, as both a reminder and affirmation of women’s bodily autonomy. 

"It has always bothered me, the world’s attempts to control women’s bodies, behavior and identities," Rossetti told Mic via email. "It’s a kind of oppression so deeply entangled in our culture that most people don’t even see it’s there, and how cruel it can be."

Rossetti’s illustrations touch upon an impressive range of intersectional topics, including LGBTQ identity, body image, ageism, racism, sexism and ableism. Some characters are based on the experiences of friends or her own life, while others draw inspiration from the stories many women have shared across the Internet. 

"I see those situations I portray every day," she wrote. "I lived some of them myself."

Despite quickly garnering thousands of enthusiastic comments and shares on Facebook, the project started as something personal — so personal, in fact, that Rossetti is still figuring out what to call it. For now, the images reside in albums simply titled “WOMEN in english!" or "Mujeres en español!" which is fitting: Rossetti’s illustrations encompass a vast set of experiences that together create a powerful picture of both women’s identity and oppression.

One of the most interesting aspects of the project is the way it has struck such a global chord. Rossetti originally wrote the text of the illustrations in Portuguese, and then worked with an Australian woman to translate them to English. A group of Israeli feminists also took it upon themselves to create versions of the illustrations in Hebrew. Now, more people have reached out to Rossetti through Facebook and offered to translate her work into even more languages. Next on the docket? Spanish, Russian, German and Lithuanian.

It’s an inspiring show of global solidarity, but the message of Rossetti’s art is clear in any language. Above all, her images celebrate being true to oneself, respecting others and questioning what society tells us is acceptable or beautiful.

"I can’t change the world by myself," Rossetti said. "But I’d love to know that my work made people review their privileges and be more open to understanding and respecting one another."

From the site: All images courtesy Carol Rossetti and used with permission. You can find more illustrations, as well as more languages, on her Facebook page.

Oooh. I reblogged a partial version of this recently but I didn’t know how many more there were! I LOVE these!

OK SO THERE ARE TONS MORE OF THESE OF THE ARTISTS FB PAGE. GUYS THESE ARE AWESOME.image

image

image

image

image

image

LOOKimage

image

image

image

ATimage

image

image

image

THESEimage

image

LETS APPLAUD CAROL ROSSETTI EVERYONEimage

image

image

image

image

 image

image

image

image

image

image

image

image

LOOK

    Sometimes I remind myself that I almost skipped the party, that I almost went to a different college, that the whim of a minute could have changed everything and everyone. Our lives, so settled, so specific, are built on happenstance.
— Anna Quindlen, Every Last One   (via exoticwild)

This overwhelms me so so so hard

(via 2002s)

destielkills:

the-secret-world-of-hairy-yetis:

capitolprostitute:

nationalbuttlickersassociation:

hachestark:

samuel-vimes:

honestlyiamironman:

didn’t the goblet of fire cover this

because how else would Ireland win but krum catch the snitch

actually in prisoner of Azkaban, didn’t Gryffindor need a certain amount of points to proceed to the finals, and that’s why Oliver Wood told Harry to wait until they had scored a certain amount of points before he caught the snitch?

Catching the snitch ends the game and is worth the most points, but it doesn’t guarantee a win. Just like tumblr user samuel-vimes said, Krum caught the snitch at the World Cup Finals, but Ireland still won in the end because they still had more points.

Also the way the ranking system works in the international quidditch league, and I assume at Hogwarts, according to JK Rowlings new reveal, is that teams are awarded a certain amount of points based on the amount of points a team wins by and thats how they are ranked against each other. Rowling said that a win by 150 points = 5 points, 100 points = 3 points, 50 points = 1 point, and a winner of a tie is whoever caught the snitch the quickest. So theoretically a team that only catches the snitch but wins by a margin of less than 50 points is awarded no points and might as well of not caught thats why Wood told Harry to wait until they were up a certain number of points in order to increase their overall ranking and win the cup.

And gosh, a good chunk of you people claim to hate sports.

We do hate sports. All the ones that don’t involve flying broomsticks and slightly murderous balls that try to knock you off them.

thatlupa:

When nude sheer material actually matches your skin, righteously beautiful things happen 😍😍

samira wiley for brooklyn magazine